Archive for December, 2008

Horror Show?

Tuesday, December 23rd, 2008

topten

AMC just compiled their list of the top ten Horror movies of 2008. Nine of the films are your typical horror fair; zombies, flesh eating plants, pro-genocide monsters. And then, there is our documentary, I Think We’re Alone Now.

We didn’t expect the film to be received so well by Horror film fanatics. As we spent more time with both Kelly and Jeff, the two main subjects of the documentary, those initial fears one has as an outsider began to dissipate. When we saw exaggerated obsession, others saw horror. When we saw loneliness, others saw horror. In July of 2008, we played at the Fantasia Film Festival in Montreal, a festival that plays primarily horror, sci-fi, and fantasy films. The film was very well received, and we even won the audience award for best documentary, but I never expected to make it on a top ten horror films list.

Like most things, if you are committed, you tend to focus on the positive and tune out everything else. While shooting, there were certain moments that did make my jaw drop, but in the end, it will be the impenetrable determination of spirit that I will remember most.

Doing it the hard way

Tuesday, December 23rd, 2008



Well, its just about Christmas. We had the pleasure of dropping in on Conrad’s Candy to get a behind the scenes look at how they make their home-made candy canes. There are only a handful of confectionaries around that still do it by hand, without high-tech gadgetry. Its unbelievable how much work goes into making each candy cane, but there’s no question how much better they taste when they’re hand-made. Yes, they did slip me a fat box of chocolate covered coconut mounds on my way out the door, but even if they didn’t, I’d still recommend stopping by.
letter

Access Hollywood

Tuesday, December 9th, 2008

 

accesshollywood

One thing I learned this week is that Access Hollywood will not offer payments to air footage of our documentary for a segment they are doing on celebrity obsession. Mainstream Media 1, Independent filmmakers 0. I guess we don’t pull weight like Brad Pitt, and we should just be happy to get some air-time.

In all honesty, the segment was much better than I expected. In my mind, it would end up being a completely unsympathetic mockery of Jeff. But to my surprise, they touched on his Asperger’s Syndrome, the disability that impairs Jeff’s social skills.

Click here to watch the segment

Backstory: Jeff Turner is one of two subjects in I Think We’re Alone Now. He first came to the media’s attention in the late 80′s for “stalking” pop star Tiffany. His fondness for Tiffany lasted many many years, and eventually Jeff had to move on. Cut to December 2008. Jeff is making headlines again for “stalking” another celebrity. I use quotations because it has been director Sean Donnelly’s intention while making this film, to explore Jeff’s side of the story. While typical media coverage slings around the word stalker to create hype and fear, I Think We’re Alone Now attempts to show the man behind the headlines.

Message vs. Monetization

Friday, December 5th, 2008

Can you get angry at a guy, even if deep down you appreciate what he’s doing? On the subway platform today, I noticed this guy wedged into a little nook, seemingly hawking bootleg DVD’s. But upon closer inspection I noticed he was giving away FREE documentaries. Sicko, Zeitgeist, The Future of Food, Taxi to the Dark Side, ect; films that raise important questions and challenge the systems in which we live. My first impression was that this dude is awesome. He refused to give his name and said he simply wanted to get the word out as anonymously as possible, most likely spending his own money so that others are exposed to new ideas.

bootleg

 

When I told a friend later, his initial reaction was a bit different than mine. Our different outlooks raised an important question. At what point does the message of a particular film become more important than monetization? For any artist, getting your work out there to the world is a priority. Getting paid for it is another. Is there a happy medium? I didn’t enter the world of documentary film production because I thought I’d get rich, but it would be nice to be able to pay all the bills and continue creating stimulating films.

 Truth be told, I live a pretty decent life, so I can’t get too angry at the guy for being a bootlegger, because he’s not.


FRESH VIDEO CONTENT